Category: Sketch

Coloured Conceptions II

Cheemnonso20 Comments

It’s been over four years since I branched out to coloured pencil portraiture in my artistic journey, albeit inconsistently, and I must say it has been quite an experience.

Deterred by the duration of coloured pencil portraiture, most of my drawings (besides animations/cartoons) have been rendered in graphite pencils. However, I must say, that my recent drawing is causing me to reconsider things as I weigh the associated pros and cons.

Portrait of a smiling girl rendered on vellum paper using coloured pencils.

As mentioned in my first coloured portrait post, drawings executed using crayons and coloured pencils do require a sufficient deal of patience as one needs to account for every single hue gradation and the right colour blends to come up with a satisfactory result. On the flipside, results tend to be more visually appealing due to the vibrant colour spectrum available to the artist when compared to the limited range of monochromatic graphite pencils.

In addition to time constraints, coloured pencil portraiture is generally less lightfast (i.e. less resistant to fading over time upon exposure to light) when compared to graphite pencil portraiture. So you may ask, “Why should I invest that much time in these drawings if they tend to fade away faster?” The good thing is that most of my coloured drawings are completed in sketchbooks, which tend to last longer due to limited light exposure. Furthermore, most coloured pencil brands develop improved lightfast pencils to enhance the longevity of our splendid creations, thus mitigating the fading/smudging pitfall in the process.

After considering these aspects, it’s challenging to fully favour one over the other. Thus, my next steps will involve refining techniques to enhance overall portrait realism using both platforms. I’m satisfied with the outcome of this drawing and plan to incorporate more coloured pencils into my portraits to achieve a harmonious balance between the two forms of dry media.

For those who could be discouraged by the time constraints posed by colour pencil drawings or any form of artwork in general, I’ve found that adopting the kaizen approach does work effectively. It generally ensures continuous improvement of a singular artwork by discretizing the artistic stages rather than completing everything in one fell swoop. 

I hope that works for you, and I’m excited to hear any other ideas you have about coloured pencil portraiture or your artistic process in general. In the meantime, I wish you a fantastic week ahead, and until next time, take care!

Cheemnonso

Day of the Cartoonist II.

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It’s that time of the year again when we have to celebrate the cartoonists who have put indelible smiles on our faces through their astonishing works.

This time, I looked no further than 2010, when both Despicable Me and Tangled were debuted on the big screens by Illumination Entertainment/Universal Pictures and Disney Studios respectively.

Viewers got so engrossed with the cute, slapstick humour of the minions (not forgetting their silly language) and also the enchanting and ever-flowing serpentine hair of Rapunzel; however, did you know the cartoonists/animators behind them?

Based on the original folktales of Brothers Grimm, Rapunzel’s initial sketches were designed by the reputable Disney animator, Glen Keane. Some of his other notable works include Ariel, Beast and Aladdin from Disney’s Little Mermaid, Beauty and the Beast and Aladdin respectively. Inspired by his Rapunzel creation, I had to portray a captured Rapunzel with coloured pencils, and I enjoyed absolutely every minute of it.

Rapunzel in a colourful predicament

Furthermore, the mastermind behind the adorable Minions is none other than Eric Guillon, who has also served as a character designer on both The Secret Life of Pets and Sing. My favourite character from The Minions is Stuart, particularly because of his whimsical acts of mischief and adventurousness, hence, my depiction of him.

Stuart going airborne in colour

Phew! I can’t thank these cartoonists/animators enough for the joy their works have put on our faces, and also for the fact that I enjoyed flexing my coloured pencils once again, thanks to the inspiration garnered from the recognition of National Cartoonist’s Day.

In the meantime, do make sure you start your great week off by immersing yourself in your favourite comic strip or childhood cartoons, as we celebrate Cartoonists’ Day. Also, feel free to check out part one in my Day of the Cartoonist series and till next time, Ciao!

Cheemnonso

The Perception of Love

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A portrait rendition using graphite on Bristol vellum

How do you perceive love? Is she like the seasonal relative that visits only during Valentine’s, Easter, Christmas and other holidays, then vanishes with the wind when the jolly days are over? Does her auburn aura, ever so bright and stunning, blind your judgement of that which is right and wrong? Do you feel like the utterance of Her Majesty’s name to thy ears seeps through the mouth and not from the heart? Sigh!

Well, whilst you try to answer these questions introspectively, here’s L’Antoinette Stines’ reply when quizzed on her perception of love, as sampled in The Carters’ BLACK EFFECT intro.

“Hmm, well, there’s love of children,

Love of self,

Love of God,

Love of a partner,

and all of them have a different shape;

but all of them are the same in the end.

It’s about sensitivity, it’s about passion,

It’s about unconditional giving of self to another person;

And there’s love of humanity,

that’s the love that is right now needed most,

Love of humanity;

but in everything, in all of that love, there is a soul;

It’s like when you take some eggs and break them,

and you take the shells and mix them up,

trying to find the ones that match;

when you find the perfect match

that compatibility results in passion.

results in unconditional giving of self”

Now, that truly packs a lot, I must say; and even though Love has the patience, kindness and endurance to overcome those nagging questions, L’Antoinette makes us remember that it’s more of the unconditional giving of self, whilst prioritizing humankind, thus, suggesting our questions should be confined within the boundaries of the love we give rather than that which we receive.

Alas, this begs another question, at least from my perspective: In a world where certain varying conditions are essential for existence by default, is it possible to give self to another unconditionally?

Anyway, these spurred me to have this drawing; no more than the inscription of love on the muse’s fingers, lol, and I will say I hugely enjoyed it, particularly as this is my first drawing in a while. I also look forward to creating more, as I have just recently got a new pencil and chalk pastel set that I would love to try out in the coming days; but in the meantime, do feel free to share your views on this piece.

Do stay blessed and have a good week ahead. Ciao!

Cheemnonso

State of Self

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Graphite rendition of Holly Humberstone on Bristol vellum surface

It is amazing how our countenances and emotions can become enigmatic when we try to judge each other’s current state. Sometimes, these could lead to harsh prejudices being doled out to people without actually knowing what they are going through.

For example, when I first beheld this reference picture used for my recent graphite pencil study, two thoughts came to mind.
On one hand, she appears to be an avid listener to the adagios composed with the violins and cellos of societal melodrama; so much so that after listening to the first umpteen tracks, her once adored classic playlist now seems listless; Phew!
On the other, she comes across as someone whose only friend is the lady in the mirror whom she patiently hopes will compliment her imperfections someday after some painstaking eye-to-eye discourses; sigh!
Well, we can only assume so much from the miens of men, but only when we have true conversations with one another, can we know the ordeals each of us pass through.

This reference picture was obtained from Pinterest as always, and after doing some research, I discovered that the muse was indeed Holly Humberstone and the image was the music cover of her song titled “Falling Asleep At The Wheel”, and fair to say the image depicts just that.
I found both the song’s lyrics and image fascinating and decided to portray the image using graphite pencils on vellum surface paper, and even though the likeness deviated slightly, I was happy with the emotion captured.

Do feel free to express your views on the image, the drawing, and also the song’s lyrics if heard. In the meantime, Ciao! and have a lovely week ahead.

Cheemnonso

A Child’s Innocence

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A child, portrayed with colored pencils on A4 cardboard paper.

When a child is born, we see that sweetness, cuteness, adorability, and particularly, that shimmering innocence, gushing off their aura; however, where does this innocence go as they come of age?

One could argue that a child’s innocence suffocates in the chokehold that peer pressure has on our schools and society. Another could argue that a child’s innocence dissipates in a disjointed family, where one parent’s state of mind is in Tokyo, and the other’s is in Kyoto, and well, it can be hard to refute this since charity, they say, begins at home.

Furthermore, others think it’s just “normal” for innocency to reduce as a child gets older, but statisticians beg to differ. For those fond of mathematics and statistics, you’d remember the Gaussian curves or “normal” curves that tend to start at a point, peak at the middle, and then regress towards the end. Well, comparing this to innocence and our lifespan, I feel our naivety is at its peak when we are children, but this reduces as our brain develops and learns more about the world from childhood to adulthood. However, as we age gracefully towards our seventies and eighties, we see our innocence tends to peak again, thence, completing the inversely normal curve, or should I say an “abnormal” curve, lol. Now, this is just my fun observation which can be true for most, but definitely not all.

Nonetheless, this thought on a child’s innocence fascinated and spurred me to make this portrait in color pencil, and to be honest, I truly enjoyed it after making most of my previous drawings in graphite. I cannot say if my subsequent drawings will be in color, but I can only relish the unpredictability of my artistic journey.

So, what do you think?

Cheemnonso

Inter-Dimensions. (Sketch)

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Completed with A4 cardboard paper and STÆDTLER graphite pencils. (Portrait reference)

What do you see when you close your eyes? Yep! You read that right. What do you see when you close your eyes? For lovers, the astral plane becomes the thin veil between reality and that fervent french kiss. For poets, words become ventriloquists, breathing life into the inanimate, whilst the living become statues of its awe. For cheerful givers, they see blooms of happiness sprouting from seeds sown in the needy’s bosom, and for non-givers, well, they see nothing, for they had already turned the blind eye, lol. Anyways, the answer to this question still saunters back and forth on the bridge between reality and our fantasies.

Fascinated by this question and the portrait reference (by Sandra Parreno photography , whose character seems torn between the 2D and 3D verse), I decided to make this my first drawing of the year 2022.

Looking back at my drawings in 2021, I noticed significant improvements from 2020, particularly in maintaining shading segue, to add more depth to realism; however one crucial drawback still exists: portrait likeness.

Last drawing of 2021 completed with STÆDTLER graphite pencils and Arteza Drawing pad (80 pages). Drawing deviated from portrait likeness, however shading seemed okay. (Portrait reference)

Achieving portrait likeness will be the key area I’d work on this year as I try to build on more emotive drawings from years past, and judging from my recent portrait, I see good signs in shading, particularly as the paper used was a bit low grade (still on my media exploration quest); However, the rooms for improvement in portrait likeness ultimately need inhabiting.

Please, feel free to reach out if you’re interested in learning some of my portrayed techniques, and I’d also appreciate every critical input on my works. Thank you.

Cheemnonso

Drawing Yelena. (Sketch)

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Sketchbook: Arteza Drawing pad (80lb)

Media: Black Widow/ Arteza Color Pencil set

The reference this time was particularly inspired by my choice of coloured pencils, which was predominantly dark-toned black widow pencil set, hence my drawing of the character, Yelena Belova (portrayed by Florence Pugh), from the Black Widow movie.

I have had this pencil set a while now, but it was majorly used to underpin my prevalent Arteza coloured pencils in colour drawing, so I decided to make an exception this time with role reversals.

Three particular pencil shades were used for skin tones including Leather, Suede and Olive brown, whilst both Midnight and Greyhorn variants were used for her gear. Arteza’s Pink macaroon, however, was used for blending the skin out, albeit not hundred percent achieved. This was subject to my carefulness with the sketchbook paper, as the burnishing technique can be somewhat hostile and aggressive on drawing papers.

Nonetheless, these pencil sets have proved to be a great combo in colour pencil realism for me, and I’d keep using them, for now, to see how I improve off them.

I hope you enjoy this piece as much as I enjoyed creating it, and, do have a blessed week ahead. Ciao!

Cheemnonso™

Ugochi III. (Sketch)

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Graphite rendition of Ugochi

Sketchbook: Arteza Drawing Pad (80lb)

Medium: STÆDTLER Graphite pencil set

It’s that time of the year again, when my baby sister celebrates her birthday, consequently signaling one more progressive year in my artistic journey. At this point, she knows she has become my most used muse, but one thing she does not know is what reference picture I will choose of her, or which medium I’d portray her in (colored pencil or graphite). This has always made her birthday expectations somewhat of a surprise.

This time, however, I chose a tricky reference picture; one that she discarded at the time due to poor photo lighting. I chose this because it presented various challenging features including:
• portrayal of light and shadows
• achieving depth in drawing braids,
• realistic body features (hands and foot)
• cloth form and likeness.

I am happy with the performance in some of these areas and how it turned out generally, particularly as she was carved from another page on my sketchbook. More importantly, I am glad she loved it bearing in mind she once disliked the original photo; So, I’d like to use this opportunity to wish her a very happy birthday with many more years, hoping I’d capture her alluring moods in the years to come.

By the way, if you have any questions concerning improvements in portrait realism or realism in general, I’d be more than willing to help. Conversely, I’d appreciate critical inputs on some flaws that could help me improve as well. For now, however, do have splendid days ahead. Ciao!

Cheemnonso

Alma de Cristina. (Sketch)

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Graphite rendition of Cristina Otero’s Soul Portrait.

Sketchbook: Arteza drawing pad (80lbs)

Media: STÆDTLER Graphite Pencils

Still on expressive portrait drawings, I stumbled on this monochromatic reference photo on Pinterest (as ever), and after finding it captivating, I decided to give it a try with my graphite pencils.


After some digging, I discovered that the photo is indeed a self-portrait of Cristina Otero, a young Spanish photographer, who captured this using the front camera of a Huawei P10 smartphone, of which she dubbed a Soul Portrait, hence the title of this blogpost in Spanish.


This time, however, I opted for my normal 80-paged Arteza drawing book to recreate this photo, rather than the much smoother Bristol vellum surface paper, as I seek to complete the sketchbook soon enough, amidst hectic school and work schedules.


The drawing came out coarser, as expected, because the drawing pad has got more tooth than vellum surfaces. It is evident from the original photo that I still struggle a bit with portrait likeness, probably due to the inaccuracy of my grids, which needs to be improved, thus, giving me room for progression in portrait realism.


In all, the drawing seemed satisfactory for me, if for anything, the depth of realism on the hand figure, and judging from this, there will be more graphite and colored pencils drawings emanating from this drawing pad, hopefully with better results. Fingers crossed!

Cheemnonso

After Dark. (Sketch/Quatrain)

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Graphite rendition of Ninõ.

Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER graphite pencils

Earlier this year, I indicated that the theme of my portrait sketches in 2021 would exude more expressions/emotions with some interludes pending striking inspirations, and my recent study seems to suggest we are on the right track.

Like always, I came across my recent portrait study on Pinterest, all monochromatic, and the wisest option was to approach this drawing using graphite pencils on a vellum surface. What particular piqued my interest in this study was my long-dreaded fear of going too dark in shading and drawing drops of water. I found this crying child or Ninõ (as dubbed by Pedro Luis Raota, the actual photographer, in 1970) encapsulating all I have always feared in drawing; thus, I decided to take on the challenge.

Initially, things went smooth, but I had not even gotten to the teardrops and my 8B pencils were already toast because of the number of dark areas I had to cover; however, I had to improvise with my other pencil grades.

Although likeness suffered a bit, one key takeaway from the drawing was that the bigger the size, the better the details you capture in your portraits, so these enabled shading the teardrops fairly easy.

Overall, I was somewhat pleased with the drawing, if, for anything, its successful completion and I look forward to taking on more expressive portraits before the year runs out.

Lastly, do imbibe this quatrain I wrote as inspired by the drawing, and take it with you as you enjoy your lovely days ahead. Cheers!

Though the dark’s mouth may spew sorrow,

with our limbs caught ‘tween its jaws of pain,

always remember there is a dance tomorrow,

where our teardrops elope with the rain.

Cheemnonso

Day of The Cartoonist. (Sketch)

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So, the Fourth was just with us just the other day (04/05) only for us to celebrate cartoonists the next day (05/05); How sketchy! 

Nonetheless, cartoons have been a part of the building blocks of most humans from childhood through adolescence, and as a matter of fact, there are adults who still get engrossed with Rick & Morty or even The Simpsons just for that extra taste of mirth. This highlights the importance of these character creations in our lives and hence, the need to celebrate the cartoonists behind them. But how do we go about honoring these cartoonists? It is easy. If you have had cartoon characters whom you have always adored, this is your chance to share them with the world (could be sketches or comic strips), whilst giving a shout out to the creators (Bonus points if you are the cartoonist behind the characters shared).

For me, characters I absolutely loved growing up were actually Pinky and the Brain created by Tom Ruegger and also Steven Spielberg.

Famous from the Animaniacs, one of my favorite takeaways from the show was the satire and clever wordplays Pinky always blurts when Brain asks, “Pinky, are you pondering what I’m pondering?”. Those were so good, I had to create my own Pinky moments.

…one is a genius, the other is insane

Another pinky moment goes like this:

Brain: Pinky! Are you pondering what I’m pondering?

Pinky: I think so undertaker Brain, but if Chris and the mum attended the funeral, why all these flowers (Chrysanthemum)?

Other cartoons I grew fond of and also had sketches of include NickToon characters such as the wefie of the Spongebob crew and also Darcy from “Bunsen is a Beast”.

Squidward ruining the perfect wefie (2019 sketch).
Can you name them all?
Two fun loving simpletons
Darcy from “Bunsen is a Beast” (2019 sketch)

Lest I forget, many posthumous thanks to Joseph Barbera and William Hanna for their evergreen creation of Tom and Jerry; that cartoon never gets old.

Always enjoyed every chase from these two.

So, what cartoon characters or comic strips have you liked, and what were your favorite takeaways from them?

Cheemnonso™

Drawing Zendaya. (Sketch)

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Sketchbook: Bienfang Bristol Vellum paper

Media: Black Widow/Arteza pencils

Two months gone now, and the gliding thoughts of how to go about realism and portraiture in 2021 still seeks the right perch. Most of it has been down to busy school/work schedules, but I realized that no schedule can ever be too busy to have a decent artwork, hence my recent drawing.

My portrait reference study is no other than the Emmy award winner (the youngest if I might add) for her role as a troubled teen in the somewhat brilliant HBO series, Euphoria. She also stars as a trapezist in The Greatest Showman, and as MJ (Michelle Jones) in SpiderMan: Homecoming, Far from home and No Way Home, where the latter is still in the works. Ladies and gents, Zendaya Maree Coleman needs no further introduction.

What particularly influenced my choice of reference is not just because of her delectable roles in movies (Malcolm and Marie for starters), but also the profoundness of her skin colour. As soon as I beheld her picture on Pinterest, I realized it has been a while I drew in coloured pencils, so I decided to take up this portrait study. Who says inspiration does not trump busy schedules?

First, I decided to try out the blending of the coloured pencils on the coarser side of the Bristol vellum paper, as I did with graphite pencils for my Freckled Smile work, and I must say, coloured pencils feel a lot smoother on this coarse side of the paper when compared to graphite pencils. Building layers of colours also seemed effortless, but it was accompanied by a cuddly drawback; more drawing time. However, having used the coarse side of vellum papers for both graphite and coloured pencils, the coarse side feels more suited for coloured pencil artworks, while the smooth side seems best for graphite pencils, at least in my case, with favourable results.

For the rest of the artistic journey this year, I’d build on these media exploration outcomes whilst working on achieving portrait likeness for different facial expressions (with interludes of other studies) using dry media. Garnering inspiration from sources like Pinterest, it’d be amazing hopefully. Fingers crossed.

Cheemnonso™

Freckled Smile. (Sketch)

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Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER Graphite pencils

As a developing artist in portraiture, I have always wondered what an ideal and challenging reference portrait would entail. Could it be an elderly face where the mien is calm as the sea, and its wrinkles are like estuaries of flowing grace, or could it be the face of an adorable child with dimples that could entomb and smother likes of the Great Depression? The truth is, nothing is ever ideal, but my recent reference portrait is just as close as one can get. The partial eye squints, subtle wrinkles, freckles, dimples, smile connecting bulging cheeks, and pigtails, capture what I believe would be an artist’s dream in terms of realism studies, and trust me, it didn’t disappoint in difficulty given the challenging circumstances.

For this drawing, I had to make use of graphite pencils and Bristol vellum paper, as I did for my Bristol Baby sketch, but this was with a telling twist. I came across several YouTube tutorials that suggested that the back of a Bristol vellum paper is the most ideal for drawings as it is coarser and has more tooth which any preferred medium would love to cling onto, so, I decided to give this a try. However, this proved frustrating early on as it required lots of graphite layers to fill the coarse regions of the paper, and therefore translated to more hours of drawing compared to my Bristol Baby sketch. Hopes and smiles I had of drawing this portrait had become spotted, hence the figurative name of this blog post. It ultimately turned out to be the test of my patience levels in art, and you should have witnessed the sigh of relief I gave off when I completed the drawing; Phew! I was pleased with the final portrait at long last, and to be honest, I could not care less about how tedious the means to the drawing was, as long as it is justified in the end.

Notwithstanding though, feel free to use this surface for your artworks, and do let me know of your experiences.

Cheemnonso™

The Macaw’s Perch. (Sketch)

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Sketchbook: Arteza Drawing pad (80lb)

Media: Arteza Coloured pencils, 3B Graphite

Inspired by a lot of talented artists lately, I finally decided to have my first animal study (a very brief break from portraiture), and it’s no other than my favorite poetic bird; Macaws, particularly, the Scarlet Macaw. If you’re conversant with my works, you’d discover I’ve used her reference in some poems of mine including The Spree, The Parade and most recently in The Beauts, and these I really enjoyed writing.

What I particularly love about this bird is how her plumage exudes different colours, so much that one could sense rainbows getting jealous. Sadly though, blending these colors could actually prove difficult as colour segue could take time to be properly administered on the sketch.

However, I’m okay with how this drawing turned out and I look forward to hearing your favourite bird and how it rivals a Macaw’s beauty (Still undisputed though).

Cheemnonso™

Coloured Conceptions

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Sketchbook: Arteza Drawing pad (80lb)

Media: Black Widow colour pencils.

In coloured portrait realism, one common misconception amongst budding artists is that the more expensive the pencils used, the better the artworks. Well, that may be true in some cases, especially in the grip of professionals; however, for beginners, several factors come to play like patience, tone/depth understanding and also the art of gradations. The truth is, every artist has that wand of a pencil that seem to bend to his/her will and create magical art pieces. I mean, I’ve seen excellent artworks completed with Crayola pencils that could rival those completed with Caran D’ache luminance pencils; hence, it’s not just a matter of the pencils, but, the dexterity of the artist.
However, I’ve been exploring mediums lately to find suitable colour pencil sets for portraits. On my quest, I eventually crossed paths with this Black Widow colour pencils, which I used to portray the innocence of this child. Initially, I had a creepy feeling towards the pencil set, considering its name, but I gradually grew fond of it (nothing to worry about for arachnophobes). I particularly liked the dark skin tone variant, as it provided lots of vibrant colours to layer and blend. The pencils generally proved promising and have been included in my list of dependable pencils for portrait drawing.
Are there any other pencils you know of that is not part of the mainstream media and has presented excellent results for you? Do let me know and who knows, it could be my one and only.

Cheemnonso™

Ugochi 2.0. (Sketch)

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Sketchbook: Arteza Drawing pad (80lb)

Media: Arteza Coloured pencils.

It’s been exactly three years now I rekindled my old flame for drawing, and since then, I made it a tradition to have a drawing of my baby sister for her birthday. In that time, I’ve had four drawings of her, which I like to see as a present to her and also as some sort of annual progress in my artistic journey.

This particular drawing is portrayed as the remake of a graphite sketch I had of her in 2019. I particularly enjoyed this drawing as working in coloured pencils seemed to prove a challenge at the early stages (especially with the skin tones), but ultimately, turned out okay. After sketching my first colour pencil portrait not too long ago, I had serious doubts I’d be able to replicate the levels attained in the drawing, but having this recent portrait of my sister has really served as a confidence booster to take on other challenging art studies with coloured pencils.

So for this and many more glorious reasons, Happy birthday Ugochi. Stay gold!

Previous sketches: 2019b, 2018

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Cheemnonso™

Hued Inceptions. (Sketch)

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Sunday Sketchbook: ARTEZA Drawing pad

Media: ARTEZA Coloured pencils

Inspired by my last post, I decided to make my first portrait sketch in coloured pencils after dabbling in graphite pencils for a while now; and I must say, it felt good; even though it took quite some time to complete than those previously sketched with graphite pencils.

Given the unlimited shades of hue, sketching in coloured pencils could prove daunting when one tries to blend several colours, just to match the right skin tones, capture the golden mesh of a lass’s tress or portray the azure eyes of an adorable child; and if the artist isn’t ready for PATIENCE 101, he or she could easily be dispirited. But, I’m glad that wasn’t the case here, and also happy to see the drawing to its reasonable completion.

With this, I’m ready to introduce the newest member of the dry media family (Coloured Pencils), hoping she, alongside graphite pencils will be my knights in shining armor when new shading challenges come forth, particularly in these troubling days that needs a lot to keep sane.

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Cheemnonso™

The Bristol Baby. (Sketch)

Cheemnonso


Sunday Bristol Sketchbook – Page 1

In realism, particularly pencil shading, I’ve come to realize that a careful choice of materials really play a crucial role in finished artworks. Back when I started drawing, I solely used printing papers and HB pencils, which definitely aren’t the worst media any budding artist could begin with. Truth is, the sketches seemed appealing at the time, until questions on depth, contrast and longevity arose. As first steps to tackling these questions, I purchased a STÆDTLER graphite pencil set to deal with the issue of tones and depth, hence achieving more realism; and an acid-free Strathmore Sketchbook to make the drawings last longer on paper without smudging or fading away. This actually made the drawings improve a bit, but it just didn’t feel right to stop exploring other art materials.

After watching a couple online drawing tutorials, I came to know about this Bristol vellum surface sketchbook and how finished drawings looked breathtaking on them, so, I decided to get one for myself. While making this baby drawing on the recently acquired sketchbook, I felt jealous of the camaraderie between the tip of the graphite pencil and the surface of the paper. Each stroke of the pencil glided effortlessly on the paper like a graceful geisha skiing on winter ice. I was also happy with how the paper could capture the contrast the pencils were willing to offer. The drawing ultimately proved to be one enjoyable art piece for me, and I can’t wait to see how other dry media including charcoal and coloured pencils would fare on this sketchbook. Fingers crossed.

Cheemnonso™

Billie. (Sketch)

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Sunday Strathmore Sketchbook – Page 8

My recent reference for portrait sketching is a lady who has proved that no one is ever too young to attain the greatest heights of success, thus, making her a source of inspiration to teenagers all over the world.

For the upcoming 62nd Grammy Awards ceremony slated for the 26th of January, 2020, she has bagged an impressive haul of six nominations, including the big four categories (Album, Record, Song and Best New Artist of the year), making her the youngest person in history to do so in the same year. She may as well be the youngest to win them all at once, who knows??

She, for me, has been the best prodigy to break out in the music industry since Lorde, not just for reanimating the sleeping ears of goth pop fans around the world, but for the impact she imparts with her music.

So, without much fuss, here’s my somewhat botchy sketch of the 21st century born, Billie Eilish.

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Cheemnonso™

The Gift. (Sketch)

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So it’s Christmas, yay! A season where the atmosphere brims with joy and the love is so palpable. As it would be, this day happens to celebrate the birth of some special people including baby Jesus and guess who, (whispers) my brother.

After drawing my sister a few months ago, I had to make a promise of sketching him before his birthday; I mean, who wouldn’t want to have a pencil depiction of someone celebrated by the whole world.

I’m very happy to have finished this sketch before the year runs out, as it means I’ve completed the sketches of the best things that happened to me this decade.

So with this, I’d like to say happy birthday brother and a Merry Christmas to everyone!

Cheemnonso™

The Bow Baby. (Sketch)

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Sunday Strathmore Sketchbook – Page 6

Here’s a sketch of this cute baby I came across while scrolling through Pinterest just the other day.

Immediately I saw her, I began to imagine the quirky world babies immerse themselves in. A world where tantrums aren’t ignored but cared for. A world where one could wear a smile for days and not think much about its laundry. A world where everyone’s so eager to hear the first words of your story. A world where there’s no deriding of one’s incessant mistakes but always a helping hand. Simply put, a world without worries; at least I think.

What most will give to be in this version of the world every moment.

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Cheemnonso™

Inktober – Day 28. (Ride)

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Inktober has turned out to be a fun-filled movement every artist would love to be part of, and because of this, I’ll be responding to a prompt or two before it finally draws the curtain in the coming days, starting with this.

Without further ado, here’s my little sketch depicting two famous best buddies embarking on one of their silly joyrides.

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Cheemnonso

Pennywise. (Sketch)

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Sunday Strathmore Sketchbook – Page 5

Pennywise is back!! The ever eerie clown from the movie IT, adapted from Stephen King’s novel of the same title, just released its Chapter Two (Its third cinema adaptation) some days back and it promises to be one to send shivers down enthused audiences’ spines.

Before its 2017 release (IT: Chapter one), I had seen a lot of horror movies, so much that the horror genre of movies actually became my favorite due to its unwavering thrills and sometimes, gore, but I hadn’t quite seen one which centered on a terrifying clown preying on the fears of little children. I very well enjoyed the movie, so well that I became enamored with clowns (Coulrophobes will find this strange) and made my very first attempt at Pennywise sketching.

The role Pennywise plays in IT can also be related to pencil artistry. Pennywise can be seen as that aura of darkness smeared in graphite, while the little children can be viewed as budding artists. As budding artists, we’re scared of delving darker in any of our drawings with the thought that we may end up ruining our art piece, so, we instead, use light shades on our sketches, just to be on a safer side.

The use of dark shades and shadows with a mixture of good highlighting and mid-tones, tend to give form and depth to drawings, hence, making them pop out of our canvasses. This is one fear I’m still particularly struggling to overcome in pencil realism, but we all know what happens to Pennywise at the end of the story.

So, without further ado, here’s my recent attempt of the ominous clown, Pennywise. You’ll float too🎈.

Cheemnonso™

Ugochi. (Sketch)

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Sunday Strathmore Sketchbook – Page 4

Over the course of last fourteen months , I’ve had three drawings of my baby sister, who, by the way, happens to celebrate her birthday today. Woo hoo!

With her beguiling smile, charm and a little bit of petulance, she was able to lure me into this recent drawing of her, which I very much enjoyed to say the least. She has also been one of my dynamic references who I can actually attribute her real time growth to my artistic growth, so, I can’t thank her enough.

After attempts one and two, I’m quite tempted to say that “the third time’s the charm”, but looking back at it, I can only be amazed at the progress from each of them, hoping for more development in the coming years.

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Cheemnonso™

Strange thoughts. (Sketch)

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Page 1 of my Strathmore Sketch pad.

Here’s my recent attempt on El (Millie Bobby Brown) from the Netflix original series, Stranger Things.

Upon the completion of this drawing, I conceived some thoughts on artistry, particularly pencil drawing:

•I’d like to think drawing as the portal between two worlds: our world and oblivion, where the artist is its gatekeeper and his/her media, the keys.

•I’d like to think artists as those who not only possess the deftness of visualization, but also the ability to percept ultrasonic screeches from entities stuck and forgotten within the walls of blank canvases, waiting to be let out. Strange.

•I’d also like to think a pencil artist as a “compassionate sorcerer” who with the subtle strokes of his/her wand and the seething darkness spewing from its tip, conjures up his/her deepest epiphanies from a clean slate. Dark magic, huh.

•I’d finally like to think that just like alpha numerics, drawing should be learned and not necessarily inherent, thus, all humans are artists, making us gods of some sort from the aforementioned thoughts. Hence, before that bob start clanking repeatedly on our aluminium coated mindscapes, yelling, “I’m not talented, so I can’t draw; or I’ll never reach the levels of elite artists”, remember that not all Greek gods reside at the summit of Mount Olympus, not even the nine Muses; but we budding artists can only strive to get there.

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Cheemnonso™

Villanelle. (Sketch)

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Page 5 of my sketchbook.

Over the years,some stone cold female assassins have graced our TV screens including Mystique, Nikita, Talia Al’ Ghul, Elektra, Jane Smith and even Arya Stark, but none caught my eyes the way Oksana Astankova does. Her mecuriality, charisma, femininity and scathing sense of humor makes psychopathy seem charming and fun. She is truly one enigmatic and exuberant serial killer portrayed by Jodie Comer brilliantly.

So, here’s my sketch of Villanelle from the amazing TV series, Killing Eve.

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Cheemnonso™

Jenny. (Sketch)

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Page 4 of my sketchbook

After my camaraderie with HB pencils, I decided to get a graphite pencil set ranging from hard to soft grades (2H – 8B) in order for me to plumb the depths of sketching and shading. To be honest, having a wide range of pencil grades to choose from, seem to ease the attainment of value and depth in portrait drawings.

So without further ado, here’s my recent stop, Jenny, on my progressive artistic journey.

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Cheemnonso™

Dany. (Sketch)

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Page 3 of my sketchbook.

At long last, the totally absorbing series, Game of Thrones, drew its curtains after eight fantastic seasons albeit a somewhat drab series finale.

Nonetheless, here’s my sketchy tribute to Queen Daenerys Stormborn of the House Targaryen, the First of Her Name, Queen of the Andals, the Rhoynar and the First Men, The rightful Queen of the Seven Kingdoms and Protector of the Realm, Queen of Dragonstone, Queen of Meereen, Khaleesi of the Great Grass Sea, the Unburnt, Breaker of Chains and Mother of Dragons,regent of the realm.

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Cheemnonso™

Ralph and Vanellope. (Sketch)

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Page 2 of my sketchbook

Last year, the world witnessed some wonderful animated movies including Spiderman: Into the Spiderverse, Isle of Dogs, The Incredibles 2, Smallfoot, The Grinch, Mirai and the likes, but, one that particularly stood out for me was Ralph Breaks the Internet. The way its plot relayed the real world social media to an in-game fantasy sphere was second to none.

So, here’s my portrayal of its protagonists (Ralph and Vanellope von Schweetz) in HB.

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Cheemnonso™

Baby Steps to Realism

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Page 1 of my sketchbook:

It’s been a while since I sketched something, so, I got hold of this sketchbook and a couple pencils, then decided to portray Arya from the Game of Thrones series.

Still off by a long shot, but Rome wasn’t built in a day. Let’s see where these baby steps to realism lead and how many souls I’ll draw out from the walls of these blank pages.
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Cheemnonso™

Happy Birthday

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That moment when the hands of time stood still,

beknownst to me, a salient star is born,

brimming with joy from her head to her heel,

in a world prepossesed in angst and scorn;

I saw her for who she was to become,

not even a single sane soul could compare,

with her beauty rendering Aphrodite numb,

and her mien as cold as Medussa’s stare;

Fifteen seeds festooned in her garden by God,

fifteen years it took the first to germinate,

umpteen fruits harvested from thy first pod,

umpteen souls her Midas touch will make sate;

Really pleased blood strangled us with its ties,

leaving us with good times and not goodbyes.

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Cheemnonso ✍️✍️