Tag: #blog

Day of The Cartoonist. (Sketch)

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So, the Fourth was just with us just the other day (04/05) only for us to celebrate cartoonists the next day (05/05); How sketchy! 

Nonetheless, cartoons have been a part of the building blocks of most humans from childhood through adolescence, and as a matter of fact, there are adults who still get engrossed with Rick & Morty or even The Simpsons just for that extra taste of mirth. This highlights the importance of these character creations in our lives and hence, the need to celebrate the cartoonists behind them. But how do we go about honoring these cartoonists? It is easy. If you have had cartoon characters whom you have always adored, this is your chance to share them with the world (could be sketches or comic strips), whilst giving a shout out to the creators (Bonus points if you are the cartoonist behind the characters shared).

For me, characters I absolutely loved growing up were actually Pinky and the Brain created by Tom Ruegger and also Steven Spielberg.

Famous from the Animaniacs, one of my favorite takeaways from the show was the satire and clever wordplays Pinky always blurts when Brain asks, “Pinky, are you pondering what I’m pondering?”. Those were so good, I had to create my own Pinky moments.

…one is a genius, the other is insane

Another pinky moment goes like this:

Brain: Pinky! Are you pondering what I’m pondering?

Pinky: I think so undertaker Brain, but if Chris and the mum attended the funeral, why all these flowers (Chrysanthemum)?

Other cartoons I grew fond of and also had sketches of include NickToon characters such as the wefie of the Spongebob crew and also Darcy from “Bunsen is a Beast”.

Squidward ruining the perfect wefie (2019 sketch).
Can you name them all?
Two fun loving simpletons
Darcy from “Bunsen is a Beast” (2019 sketch)

Lest I forget, many posthumous thanks to Joseph Barbera and William Hanna for their evergreen creation of Tom and Jerry; that cartoon never gets old.

Always enjoyed every chase from these two.

So, what cartoon characters or comic strips have you liked, and what were your favorite takeaways from them?

Cheemnonso™

The Thousandth Mile.

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It has been two years and some months since I launched this blog, and I vividly remember my first blogpost which was a limerick of some sort that goes like this:

consumed by pride, envy and scorn,

the feeble veil of my heart is torn,

one which no golden needle and silver thread can mend,

one which only the agape love from persons can tend,

salving all wounds from dusk till dawn.

Love (Adapted)

The poem very much typified my emotional state at the time and how I held all kinds of feelings bottled up, searching for meaning and answers in our nature. However, interest from a few persons piqued gradually and my world began to morph artistically. With the gradual growth of the blog, I have been able to find my channel of catharsis with some areas botched in shades of gray, and others smeared in resplendent hues. As such, many thanks to you all who have literally given me a thousand reasons to be grateful for the interest, love and support rendered towards the achievement of this milestone.

As always, it will remain a tremendous pleasure to keep putting smiles on your faces through my works as you have done so effortlessly on mine. Cheers to our next artistic adventure, and a thousand hugs and kisses to each and every one of you. Happy blogging.

Cheemnonso

Freckled Smile. (Sketch)

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Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER Graphite pencils

As a developing artist in portraiture, I have always wondered what an ideal and challenging reference portrait would entail. Could it be an elderly face where the mien is calm as the sea, and its wrinkles are like estuaries of flowing grace, or could it be the face of an adorable child with dimples that could entomb and smother likes of the Great Depression? The truth is, nothing is ever ideal, but my recent reference portrait is just as close as one can get. The partial eye squints, subtle wrinkles, freckles, dimples, smile connecting bulging cheeks, and pigtails, capture what I believe would be an artist’s dream in terms of realism studies, and trust me, it didn’t disappoint in difficulty given the challenging circumstances.

For this drawing, I had to make use of graphite pencils and Bristol vellum paper, as I did for my Bristol Baby sketch, but this was with a telling twist. I came across several YouTube tutorials that suggested that the back of a Bristol vellum paper is the most ideal for drawings as it is coarser and has more tooth which any preferred medium would love to cling onto, so, I decided to give this a try. However, this proved frustrating early on as it required lots of graphite layers to fill the coarse regions of the paper, and therefore translated to more hours of drawing compared to my Bristol Baby sketch. Hopes and smiles I had of drawing this portrait had become spotted, hence the figurative name of this blog post. It ultimately turned out to be the test of my patience levels in art, and you should have witnessed the sigh of relief I gave off when I completed the drawing; Phew! I was pleased with the final portrait at long last, and to be honest, I could not care less about how tedious the means to the drawing was, as long as it is justified in the end.

Notwithstanding though, feel free to use this surface for your artworks, and do let me know of your experiences.

Cheemnonso™

Ugochi 2.0. (Sketch)

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Sketchbook: Arteza Drawing pad (80lb)

Media: Arteza Coloured pencils.

It’s been exactly three years now I rekindled my old flame for drawing, and since then, I made it a tradition to have a drawing of my baby sister for her birthday. In that time, I’ve had four drawings of her, which I like to see as a present to her and also as some sort of annual progress in my artistic journey.

This particular drawing is portrayed as the remake of a graphite sketch I had of her in 2019. I particularly enjoyed this drawing as working in coloured pencils seemed to prove a challenge at the early stages (especially with the skin tones), but ultimately, turned out okay. After sketching my first colour pencil portrait not too long ago, I had serious doubts I’d be able to replicate the levels attained in the drawing, but having this recent portrait of my sister has really served as a confidence booster to take on other challenging art studies with coloured pencils.

So for this and many more glorious reasons, Happy birthday Ugochi. Stay gold!

Previous sketches: 2019b, 2018

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Cheemnonso™

Hued Inceptions. (Sketch)

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Sunday Sketchbook: ARTEZA Drawing pad

Media: ARTEZA Coloured pencils

Inspired by my last post, I decided to make my first portrait sketch in coloured pencils after dabbling in graphite pencils for a while now; and I must say, it felt good; even though it took quite some time to complete than those previously sketched with graphite pencils.

Given the unlimited shades of hue, sketching in coloured pencils could prove daunting when one tries to blend several colours, just to match the right skin tones, capture the golden mesh of a lass’s tress or portray the azure eyes of an adorable child; and if the artist isn’t ready for PATIENCE 101, he or she could easily be dispirited. But, I’m glad that wasn’t the case here, and also happy to see the drawing to its reasonable completion.

With this, I’m ready to introduce the newest member of the dry media family (Coloured Pencils), hoping she, alongside graphite pencils will be my knights in shining armor when new shading challenges come forth, particularly in these troubling days that needs a lot to keep sane.

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Cheemnonso™

The Bristol Baby. (Sketch)

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Sunday Bristol Sketchbook – Page 1

In realism, particularly pencil shading, I’ve come to realize that a careful choice of materials really play a crucial role in finished artworks. Back when I started drawing, I solely used printing papers and HB pencils, which definitely aren’t the worst media any budding artist could begin with. Truth is, the sketches seemed appealing at the time, until questions on depth, contrast and longevity arose. As first steps to tackling these questions, I purchased a STÆDTLER graphite pencil set to deal with the issue of tones and depth, hence achieving more realism; and an acid-free Strathmore Sketchbook to make the drawings last longer on paper without smudging or fading away. This actually made the drawings improve a bit, but it just didn’t feel right to stop exploring other art materials.

After watching a couple online drawing tutorials, I came to know about this Bristol vellum surface sketchbook and how finished drawings looked breathtaking on them, so, I decided to get one for myself. While making this baby drawing on the recently acquired sketchbook, I felt jealous of the camaraderie between the tip of the graphite pencil and the surface of the paper. Each stroke of the pencil glided effortlessly on the paper like a graceful geisha skiing on winter ice. I was also happy with how the paper could capture the contrast the pencils were willing to offer. The drawing ultimately proved to be one enjoyable art piece for me, and I can’t wait to see how other dry media including charcoal and coloured pencils would fare on this sketchbook. Fingers crossed.

Cheemnonso™

Ralph and Vanellope. (Sketch)

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Page 2 of my sketchbook

Last year, the world witnessed some wonderful animated movies including Spiderman: Into the Spiderverse, Isle of Dogs, The Incredibles 2, Smallfoot, The Grinch, Mirai and the likes, but, one that particularly stood out for me was Ralph Breaks the Internet. The way its plot relayed the real world social media to an in-game fantasy sphere was second to none.

So, here’s my portrayal of its protagonists (Ralph and Vanellope von Schweetz) in HB.

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Cheemnonso™

The Genesis. (Villanelle)

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Here comes the dawn of a new year,

and the heavens echo, my friend:

withering flowers will bloom, sad hearts will cheer.

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and we shall not cower in fear,

in times when ripples need be amend,

because here comes the dawn of a new year.

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a little odd some days may appear,

a little low we beings may descend,

but, withering flowers will bloom, sad hearts will cheer.

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remove the mask, burn the veneer,

for upon ourselves we may depend,

because here comes the dawn of a new year.

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and as we go, bleak may seem the atmosphere,

with each road posing a dead end,

yet, withering flowers will bloom, sad hearts will cheer.

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For we shall dream less and toil more, my dear,

and the fruits we reap, we may not comprehend,

because here comes the dawn of a new year,

where withering flowers will bloom, sad hearts will cheer.

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Cheemnonso™

Cliffhanger

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It’s been eons since you left,

but, your perfume still lingers in the attic;

the sun sleeps,

the dark creeps,

and as each day passes,

our past evanesces,

now, memories of you are

as thin as a knife’s edge,

and the more I cling unto them,

the more I bleed out,

so, it’s time I let go.

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Cheemnonso™

Happy Birthday

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That moment when the hands of time stood still,

beknownst to me, a salient star is born,

brimming with joy from her head to her heel,

in a world prepossesed in angst and scorn;

I saw her for who she was to become,

not even a single sane soul could compare,

with her beauty rendering Aphrodite numb,

and her mien as cold as Medussa’s stare;

Fifteen seeds festooned in her garden by God,

fifteen years it took the first to germinate,

umpteen fruits harvested from thy first pod,

umpteen souls her Midas touch will make sate;

Really pleased blood strangled us with its ties,

leaving us with good times and not goodbyes.

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Cheemnonso ✍️✍️