A Child’s Innocence

A child, portrayed with colored pencils on A4 cardboard paper.

When a child is born, we see that sweetness, cuteness, adorability, and particularly, that shimmering innocence, gushing off their aura; however, where does this innocence go as they come of age?

One could argue that a child’s innocence suffocates in the chokehold that peer pressure has on our schools and society. Another could argue that a child’s innocence dissipates in a disjointed family, where one parent’s state of mind is in Tokyo, and the other’s is in Kyoto, and well, it can be hard to refute this since charity, they say, begins at home.

Furthermore, others think it’s just “normal” for innocency to reduce as a child gets older, but statisticians beg to differ. For those fond of mathematics and statistics, you’d remember the Gaussian curves or “normal” curves that tend to start at a point, peak at the middle, and then regress towards the end. Well, comparing this to innocence and our lifespan, I feel our naivety is at its peak when we are children, but this reduces as our brain develops and learns more about the world from childhood to adulthood. However, as we age gracefully towards our seventies and eighties, we see our innocence tends to peak again, thence, completing the inversely normal curve, or should I say an “abnormal” curve, lol. Now, this is just my fun observation which can be true for most, but definitely not all.

Nonetheless, this thought on a child’s innocence fascinated and spurred me to make this portrait in color pencil, and to be honest, I truly enjoyed it after making most of my previous drawings in graphite. I cannot say if my subsequent drawings will be in color, but I can only relish the unpredictability of my artistic journey.

So, what do you think?

Cheemnonso

After Dark. (Sketch/Quatrain)

Graphite rendition of Ninõ.

Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER graphite pencils

Earlier this year, I indicated that the theme of my portrait sketches in 2021 would exude more expressions/emotions with some interludes pending striking inspirations, and my recent study seems to suggest we are on the right track.

Like always, I came across my recent portrait study on Pinterest, all monochromatic, and the wisest option was to approach this drawing using graphite pencils on a vellum surface. What particular piqued my interest in this study was my long-dreaded fear of going too dark in shading and drawing drops of water. I found this crying child or Ninõ (as dubbed by Pedro Luis Raota, the actual photographer, in 1970) encapsulating all I have always feared in drawing; thus, I decided to take on the challenge.

Initially, things went smooth, but I had not even gotten to the teardrops and my 8B pencils were already toast because of the number of dark areas I had to cover; however, I had to improvise with my other pencil grades.

Although likeness suffered a bit, one key takeaway from the drawing was that the bigger the size, the better the details you capture in your portraits, so these enabled shading the teardrops fairly easy.

Overall, I was somewhat pleased with the drawing, if, for anything, its successful completion and I look forward to taking on more expressive portraits before the year runs out.

Lastly, do imbibe this quatrain I wrote as inspired by the drawing, and take it with you as you enjoy your lovely days ahead. Cheers!

Though the dark’s mouth may spew sorrow,

with our limbs caught ‘tween its jaws of pain,

always remember there is a dance tomorrow,

where our teardrops elope with the rain.

Cheemnonso

Hued Inceptions. (Sketch)

Sunday Sketchbook: ARTEZA Drawing pad

Media: ARTEZA Coloured pencils

Inspired by my last post, I decided to make my first portrait sketch in coloured pencils after dabbling in graphite pencils for a while now; and I must say, it felt good; even though it took quite some time to complete than those previously sketched with graphite pencils.

Given the unlimited shades of hue, sketching in coloured pencils could prove daunting when one tries to blend several colours, just to match the right skin tones, capture the golden mesh of a lass’s tress or portray the azure eyes of an adorable child; and if the artist isn’t ready for PATIENCE 101, he or she could easily be dispirited. But, I’m glad that wasn’t the case here, and also happy to see the drawing to its reasonable completion.

With this, I’m ready to introduce the newest member of the dry media family (Coloured Pencils), hoping she, alongside graphite pencils will be my knights in shining armor when new shading challenges come forth, particularly in these troubling days that needs a lot to keep sane.

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Cheemnonso™